Aruša Theatre Manifesto
1) Until recently, the body has been representing the unrepresentable – body as existence ±∞
2) In modern times, certain media constructions became a condition of existence of the body±∞ The body, as well as theatre, in its singularity – begins to exist ±∞
3) The body – which is not pervious to transfer and replication, and therefore the death in language, achieves a new theatrical grammar of the body as unrepresentable that precedes written words ±∞
4) Body-theatre plays itself, and to make it possible, it is necessarily to relive the body relieved of the theatre ±∞
5) Aruša Theatre is decentered with the total body act ±∞ The need for a Total Body Theatre is the need for more life, mostly because theatre now equals the body ±∞
6) For Aruša Theatre – to Become is to represent the unrepresentable – bodily. In Aruša Theatre – to speak is to write – bodily ±∞
7) The body is the origin of life as unprepresentable ±∞
8) Aruša Theatre is the theatre of life – unreadable ±∞
9) Aruša Theatre’s ceremony occurs only once as thinking the unthinkable – bodily ±∞
